Contemptary. Art.
I'm an art student studying fine art in NCAD.
Some work on this is of mine and other work is research for college.
Contemptary. Art.
generic-eric:

unsorted-posts:

thenoobyorker:

By way of brooklynmutt and dailymeh:

The Unabomber’s cabin, sitting in an FBI storage facility on an airforce base in Sacramento, photographed by Richard Barnes. Sure looks out of its element; as Barnes says, “the cabin represents a particularly American ideal of rural self sufficiency and independence gone horribly awry”, and its context is sort of the opposite of that. I wonder if it still sits there, waiting.
(via dailymeh)
mpdrolet:

Rolph Gobits
neultrazine:

Ibán Ramón
mpdrolet:

From The Beach
Marisha Camp
ZoomInfo
2headedsnake:

David Hockney ‘Joiners’
During the 1980’s, David Hockney began taking photographs from multiple viewpoints then piecing them together. He was interested in how we see and depict space and time and how we turn a 3 dimensional world into a 2 dimensional image.
‘Self portrait’, 1983
‘Mother’, 1985
‘Nicolas Wilder studying Picasso’, 1982
‘Ice skater’ for the 1984 Olympics
2headedsnake:

David Hockney ‘Joiners’
During the 1980’s, David Hockney began taking photographs from multiple viewpoints then piecing them together. He was interested in how we see and depict space and time and how we turn a 3 dimensional world into a 2 dimensional image.
‘Self portrait’, 1983
‘Mother’, 1985
‘Nicolas Wilder studying Picasso’, 1982
‘Ice skater’ for the 1984 Olympics
2headedsnake:

David Hockney ‘Joiners’
During the 1980’s, David Hockney began taking photographs from multiple viewpoints then piecing them together. He was interested in how we see and depict space and time and how we turn a 3 dimensional world into a 2 dimensional image.
‘Self portrait’, 1983
‘Mother’, 1985
‘Nicolas Wilder studying Picasso’, 1982
‘Ice skater’ for the 1984 Olympics
2headedsnake:

David Hockney ‘Joiners’
During the 1980’s, David Hockney began taking photographs from multiple viewpoints then piecing them together. He was interested in how we see and depict space and time and how we turn a 3 dimensional world into a 2 dimensional image.
‘Self portrait’, 1983
‘Mother’, 1985
‘Nicolas Wilder studying Picasso’, 1982
‘Ice skater’ for the 1984 Olympics
mpdrolet:

Katrin Koenning
mpdrolet:

Patrick Hogan
lapetitecole:

by l2obb on Flickr.
Robert Bender
barnabyandco:

Sally Mann
mpdrolet:

Shinorama Tokyo Pool, 1986
Kishin Shinoyama
mpdrolet:

Bastian Kalous
ZoomInfo
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
2headedsnake:

Eckart Hahn
‘Abend’, 2011
mpdrolet:

From Wendover Vacation
Sarah Lyon
angrywhistler:

Martin Brouillette